It’s only about an hour before the Oscar curtain call. I have seen all but three of the ten movies nominated for Best Picture. I could not bring myself to watch “Dune” as I am not a sci-fi Armageddon kind of gal. I passed on “Drive My Car” because sitting four feet from my television to read subtitles was, I felt, asking too much of my active participation.
The movie I have not, but would like to see is “CODA.” I have a feeling it will win best picture. Why didn’t I see it? Apple greed. Apple bought the rights to “CODA” for $25 million, then released it in select New York and LA theaters for a week in August and two days in February. If I ask Garv to go to a movie with me on a week day, it’s a hard no. I was pretty sure it would have been out of the question to ask him to fly to LA for a movie, popcorn and Dots.
Apple took advantage of rule changes made in 2020 by the Academy of Arts and Sciences. The Academy agreed to consider movies for an Oscar if they were released to the public a short period of time prior to release on a streaming service. They did this to help the motion picture industry survive and (I want to believe) to deliver entertainment and goodwill to humanity while we all waited out a pandemic of historic consequence.
Apple did follow the Academy’s new rules and released “CODA” to the public for the shortest possible time in the fewest possible locations. Then they locked “CODA” in the Apple vault where it is currently being held for ransom.
Continue reading ““CODA” – The Hardest Movie to Watch”








